Filtraciones '09

pulpo

teardrop, ¿te das cuenta que tus mensajes se leen como una cantinela de jugar a las gomas?

Oscar Wao

@bruce_billis:d9271s5q:

hosti tú, lo que s'aprèn en aquest fòrum!

Pues más le vale citarlo en los crédito si no quiere que le pase como a bunbury!! juas juas

billie teardrop

No era consciente, pulpo. Eso es negativo, ¿verdad?
Lo cierto es que me encuentro en mitad de mi travesía del desierto,
haciendo amagos de salir en una dirección u otra, pivotando sobre
un apenas identificable centro en la arena. Interpreto que la forma
de mis mensajes, aunque surgiera como copycat del Sr. Egon Blant
y su difícilmente reproducible aptitud para justificar textos, funciona
ahora como mero asidero: la seguridad que confiere la estructura.
Puede que sólo sea una llamada de atención.

Para serte sincero, yo mismo estoy tan harto, no sólo de la forma,
sino del contenido, del propio personaje, de la persona detrás del
personaje.

Aquellos juegos de gomas. Y esos otros en los que se saltaba a
la pata coja sobre unas casillas dibujadas en tiza sobre el suelo,
numeradas en forma de T. Si no recuerdo mal la cantinela:

♫♫♫♫♫
Frutas, frutas y afuera.
Pera, pera.
Fresa, fresa.
Limón, limón.
♫♫♫♫♫

Ni el mejor sexo con anfetas superaría jamás la plenitud erótica
de aquellos juegos infantiles.

Dan Hoerner

A mi me gusta la estructura, hace pensar en un poema, aunque no lo sea ni pretenda serlo, tal asociación me reconforta.

-Toxinho-69

Radian - Chimeric

http://www.megaupload.com/?d=DATHI2YP

@3rfo6wie:

Austrian electronic post-rockers Radian haven’t made a record since 2004’s John McEntire-produced Juxtaposition – an obliquely minimalist, dub bass heavy record which brought a style, substantively minted by the Chicagoan producer’s own combo, Tortoise, a decade before, full circle. Five years on, the Vienna-based trio of bassist John Norman, drummer/vibes player Martin Brandlmayr and synth/guitarist Stefan Németh have regrouped, now seemingly intent on distilling post-rock to an esoteric essence.

No avant-rock grandees were involved in the making of Chimeric (other than the trio themselves). Recorded and mixed not in Chicago but at the Austrian capital’s Hugosound studio, its forbidding overture may make some wish that an expurgating presence had been on hand, however. Opener Git Cut Noise certainly takes no prisoners – its inchoate clang and scrape sounds like Scott Walker’s Tilt being mangled by Autechre and makes perfect onomatopoeic sense of its title. It proves to be a deceptive hors d’oeuvre, however, as this is about as dissonant as the album gets.

While the subsequent five, lengthy essays embrace passages of discord, they just as regularly delight in warm, dulcet vibraphone chimes, discreet piano notes, slivers of yielding guitar and the kind of attenuated meta-funk rhythms that Can fans, at the very least, could cut a rug to. None of these variations on the pointillist, mosaic soundscaping model, ever actually ‘goes’ anywhere but nonetheless, the sculpted lucidity of each sonic component invites headphone immersion. Once ensnared you can’t help but delight in the highly processed, meticulously arranged detail.

Typically, the pretty much self-explanatory Feedbackmikro /City Lights is a brooding, ten-minute odyssey that oscillates between eerie keyboard throb, opaque electronic sliver, flecks of percussion, doleful daubs of vibes and skewed, vertiginous guitar chords. It variously recalls Kieran Hebden’s Fridge, Talk Talk in one of their more abstruse moments, Australian post-jazz improvisers The Necks and the celestial electric guitar symphonies of Glenn Branca. No mean praise.

This may not be the kind of record to win new converts to the often desiccated province that is latter-day post-rock, but within its acetic, self-ascribed parameters, Chimeric is something of a minor triumph.

El segundo tema está de puta madre

valdifico

Hace unos pocos días salió el Rumpus de The Kabeedies… ¿todavía no hay links? :cry:

FRN

ya rula por aqui el de them crooked vultures?? a 320

Part1:
http://www.gigasize.com/get.php?d=lthmsl3px5f
Part2:
http://www.gigasize.com/get.php?d=qcnnpm14lnc

muy recomendable, eso si, a los que no les va el rollo de Josh Homme y el sonido que sacan Queens of the stone age que se ahorren el bajárselo. CALIDAD!

no encuentro el ultimo de soulsavers que viene la semana que viene el tito Lanegan si alguien sabe donde bajarmelo que me indique gracias

chema s.

¿algún enlace bueno para el nuevo de slayer? no lo descargué en su día y lo han roto… gracias.

Psychocandy

creo que esto no se ha subido pero es muy muy majo

http://rapidshare.com/files/299722078/BrNHvn_BstRstFrthMth.zip

Pw: nodata.tv

el segundo álbum de estudio de Bear In Heaven, "Beast Rest Forth Mouth", es pop hecho con sintetizadores, crescendos épicos, y un lenguaje musical que linda con lo cinematográfico, o más bien, con el pálido recuerdo que tenemos todos nosotros de las películas que significaron durante nuestra niñez.

Sr. Egon Blant

@billie:

Hola, Pelukini.
Gracias por el disco de Smith.
Con este y el fruitvale que ya encontró
Zackhill hace unos días tengo material
para pegarme un buen atracón.

Me gusta mucho el diseño de tu cartel
para el primavera sound vs tanned tin.

A un servidor le gustan los carteles de conciertos que realiza
billie teardrop.

billie teardrop

Lamento desmontar tu asociación, Sr. Egon Blant: no somos la misma persona.
Reconozco que también sigo el quehacer de ese frankie teardrop, desde que un
participante de este mismo foro creyó revelar mi identidad oculta, tomándome
por aquel. Desgraciadamente, yo tengo mucho menos talento.

Un afectuoso saludo.

gRR

A mí me gustan
esos pseudo-haikus de
Teardrop y Egon Blant

Sr. Egon Blant

@gRR!!:29i111pu:

A mí me gustan
esos pseudo-haikus de
Teardrop y Egon Blant

Naturalmente.

Arvo Pärt: In Principio.(2009)

> Descarga <

locutus

Gracias Sr. Egon Blant, le daremos un tiento a sr Pärt.

De paso, perdonen si es un B&B…

@1qqad4h5:

6CD set containing the re-issue of the first four albums by the Durutti Column. Originally
released on Factory Records label between 1980 and 1984, these albums have been carefully
re-mastered from the original master tapes, which had been thought to be lost along with the
demise of Factory in the mid 1990's. Ironically these had been stored along with many other
tapes at Tony Wilson's home and were passed on for this release by his son Oliver. This six
CD box set is limited to 1175 copies and comprises of: Four fully re-mastered albums: 1.
The Return Of The Durutti Column, 2. LC, 3. Another Setting, 4. Without Mercy, plus two
limited bonus CDs only available as part of this boxset; 5. Unreleased: demos, versions and
outtakes from the period,6. Live: previously unreleased live recordings from London,
Glasgow, and Brighton 82/84. The package also includes extensive liner notes and interviews
with the key protagonists from the period. Only available from Independent stores and very
limited.

http://uploadbox.com/files/9b5fc80585
http://uploadbox.com/files/4184fe51dd
http://uploadbox.com/files/0d8d41afd6

Password: mp3db

Y ya se acerca la (maldita) Navidad…

@1qqad4h5:

Tracklist:
01. it dosent often snow at christmas
02. all over the world
03. viva la vida/domino dancing
04. my girl
05. my girl (our house remix)

http://rapidshare.com/files/306141459/PeSoBo.rar

tethor

gracias por la cajita de Durutti Column, locutus!

lamacq

RIDE y ADORABLE PARA EL PRIMAVERA 2010!!!!

Laporta dimision!!!

kole

Beck - Songs of Leonard Cohen

This time around the group includes Devendra Banhart, Ben, Andrew and Will from MGMT, Andrew from Wolfmother, Binki from Little Joy, and Brian and Bram returning from the first Record Club. For those new to the Record Club, it is an informal meeting of various musicians to record an album in a day. An album is chosen to be reinterpreted and used as a framework. Nothing rehearsed or arranged ahead of time. A track is put up here once a week. As you will hear, some of the songs are rough renditions, often first takes documenting what happened over the course of a day. There is no intention to 'add to' the original work or attempt to recreate the power of the original recording. Only to play music and document what happens. And those who aren't familiar with the albums in question will hopefully look for the songs in their definitive versions. 'Songs Of Leonard Cohen' by Leonard Cohen was chosen by Andrew from MGMT. For those interested, our close second choice was Ace Of Base, which we'll keep on the list for next time.

http://rapidshare.com/files/306877597/Beckapovan_Cohen.rar

kole

Bad Weather California-Young Punks 2009.

@2g8o6xh2:

The new Bad Weather California album is called Young Punks. And unless you consider reverb-drenched, Stones-inspired riffs to be punk, then the title might seem like an ironic misnomer at first. Stylistically, at least, the act's rollicking psych-folk-rock is a far cry from the music of the bands that shaped frontman Chris Adolf's life growing up in Grand Junction in the '90s — groups like Nirvana, Sonic Youth and Black Flag. But while the ballast and experimentation of those bands hasn't really filtered into Bad Weather's music, their spirit certainly has.

Like those outfits, Adolf has played his share of house shows around the country with his current act and with the Love Letter Band, the group he played in with Marisa Wood that later became Bad Weather California when he moved to Denver in the early part of this decade. Sometimes that included driving all day just to play to four kids, as Adolf eloquently reflects upon on the track "1992," one of Punks' standouts: "It was 1994, we put the pedal to the floor/We hit the road, and no one came to our shows/So we moved back home to the country where we couldn't find a job to save our lives/But we wrote about a million songs, and our friends all sang along/And we were young and we got high and we were free/We were young and we got high and we were free."

"This album is kind of a tribute to our young selves — young punks," Adolf declares, noting that the title's also an homage to all the kindred bands who've worked hard to pave their own way. "A lot of those kids at Rhinoceropolis having been doing that too," he points out. "It's a tribute to those guys. It's still doable today. It's just a tribute to everyone who's doing that instead of just coming in and being like, 'Oh, lets be in the industry without knowing the history of it, without knowing the history of why Modest Mouse is able to sell out Red Rocks, without understanding that Modest Mouse played plenty of punk house shows.'"

"I was a young punk who overlooked a lot of things," he adds. "Punk music is great, and that whole culture, you know, ideology. I feel like our band is punk. But being a young teenage punk, you overlook a lot of things."

Things like, say, working at becoming a better guitar player. Before setting out to record Punks, Adolf took lessons from friends Roger Green, Nathaniel Rateliff and singer-songwriter Joseph Childress in an effort to hone his skills — not exactly the most punk thing to do. On previous Bad Weather records, he wrote three-or four-chord songs and strummed them folk style. But with some of the Young Punks songs, Adolf experimented with making songs that were more guitar-riff driven.

"In the indie punk community, being good at the guitar has been uncool since Black Flag and that stuff," Adolf says. "But what people forget is that Black Flag was coming out of the classic-rock era. I'd be tired of good guitar playing, too, coming out of that cock-rock stuff. We're coming out of an era where everyone's playing like Kurt Cobain, so it's punk for us to explore different things.

"Like folky stuff," he adds later. "You've got your three chords or whatever, and you make melodies over that. But if you listen to that James Brown stuff, no one's playing chords — it's just a bunch of melodies intertwining; you put your own singing on it. But it's not based on that. I've been trying to write songs to bass lines and stuff like that."

http://rapidshare.com/files/307084059/Predsednik_Kluni.rar

Carousel

Chris Ross y Myles Heskett (ex-wolfmothers), Kid Koala y Dynomite D. Rock psicodélico, hard rock, Hip hop, turtablism–

The Slew - 100% (Puget Sound, 2009)

http://www.megaupload.com/?d=P003UCYS

Dan Hoerner

@Sr.:

@gRR!!:2sltwhzr:

A mí me gustan
esos pseudo-haikus de
Teardrop y Egon Blant

Naturalmente.

Arvo Pärt: In Principio.(2009)

> Descarga <

Gracias, solemne filtración.