Electrónica
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@eme_rock:gic8b3i9:
jajaja tenía algo de trato con el/ella hace algun tiempo, pero se le ha ido un poco la azotea.
Hubo un tiempo que todo este rollo salía de un "cibergrupo" virtual muy chulo, donde había gente de diferentes ámbitos artísticos colaborando de mil y una forma.Alguien encuentra un parecido MAS QUE RAZONABLE a este tema con una sintonía de un programa que se emite en la televisión publica catalana, va, que seguro que alguien lo saca
:
http://beerontherug.bandcamp.com/track/sol-airDiosssss, "Temps de Neu", qué mítico!
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Gallifante para Manel!!
temazo -
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De este no se ha comentado nada, nadie lo ha escuchado?
A mí me ha gustado bastante…Miles - Faint Hearted (2013)
(Miles Whittaker, 50% de Demdike Stare)
https://soundcloud.com/modernlove/sets/ ... nt-heartedhttp://turbobit.net/80nzb8d2hklr.html -
Nos ponemos 80's. bRUNA mezcla 80 temas de los 80 en el mix 142 del portal PlayGround
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Discazal:
http://rapidgator.net/file/8f24febb4083b21ba66cd9a3b3b20128/CTRG.rar.html -
ummm, aqui mismo lo dejo. skuta's most loved paqueton is back:
dean blunt / the redeemer (hippos in tanks/world music, 2013)
@32jge7e6:
Hype Williams instigator and now solo raconteur, Dean Blunt, sidesteps preconceptions with a quietly psychedelic, sparse and sensual third album. In 'The Redeemer' he tends to a wipe-clean soundworld of lite jazz fusion motifs, bluesy guitar wisps and new age synth gelled together with dreamy sound FX and distressed ansafone messages whilst nonchalant, confessional vocals dictate a drowsy internal narrative. It's a sort of surreal soul scape simulacra, an adult contemporary fantasy as seen and heard from a detached perspective, a fact accentuated by the intangible, voice-in-your-head mixing and Blunt's lounging-about-the-flat delivery, together with occasional female partners and synthetic chorales. With 19 tracks in just under 45 minutes he's constructed an intricacy of ideas that's going to take more time and insight than we've got to fully unravel its cypher, to unweave what we may perceive to be ambiguity, or equally, a sort of provocative sincerity, but either way we're left totally beguiled and enchanted after a few listens. As glib as it may seem, the closest aesthetic comparisons we could make lie with 'R.I.P'-zoned Actress, Laurel Halo at her sparsest, or the slight sickliness of TV On The Radio's indie-soul-pop, yet ultimately it sounds quite like nowt out there.
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@bruce_billis:1ug219gp:
ummm, aqui mismo lo dejo. skuta's most loved paqueton is back:
dean blunt / the redeemer (hippos in tanks/world music, 2013)
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Ya tengo planes para mi primer sueldo.
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Si encontrais este disco subidlo please…
Queens - "End Times"
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alguien tiene suelto? http://www.ebay.com/itm/Boards-of-Canad ... AUS%3A1123
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Bibio – Silver Wilkinson (Warp Records / 2013)
@tu6q0ghf:
Silver Wilkinson will be Stephen James Wilkinson’s seventh full-length, arriving two years after his most recent album, Mind Bokeh. The sounds of the album were in part inspired by the outdoors—first single “À tout à l’heure” was recorded in Wilkinson’s back garden and samples a plastic watering can and garden shears, while “Dye The Water Green” features the sound of rain falling on the tin roof of the producer’s shed.
“If there was a preconceived idea before this album started coming together, it was a fairly vague one: to focus more on an organic and live sound and to record more guitar and other live instrumentation,” Wilkinson explains. “However, I’m no purist, so I don’t restrain myself from taking stylistic diversions, to do so might be to dispose of the unplanned. As a result this album feels to me as eclectic as my previous two albums.”http://rapidgator.net/file/01fe9a4dc630c58477493dd62b82b510 -
error
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Es de cuando sacó el LP el año pasado, pero yo he escuchado hoy la entrevista y el Mix y vale muchísimo la pena, a Manel creo que le van a gustar ambas cosas.
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@reh:
Bibio – Silver Wilkinson (Warp Records / 2013)
@38qo8jfq:
Silver Wilkinson will be Stephen James Wilkinson’s seventh full-length, arriving two years after his most recent album, Mind Bokeh. The sounds of the album were in part inspired by the outdoors—first single “À tout à l’heure” was recorded in Wilkinson’s back garden and samples a plastic watering can and garden shears, while “Dye The Water Green” features the sound of rain falling on the tin roof of the producer’s shed.
“If there was a preconceived idea before this album started coming together, it was a fairly vague one: to focus more on an organic and live sound and to record more guitar and other live instrumentation,” Wilkinson explains. “However, I’m no purist, so I don’t restrain myself from taking stylistic diversions, to do so might be to dispose of the unplanned. As a result this album feels to me as eclectic as my previous two albums.”http://rapidgator.net/file/01fe9a4dc630c58477493dd62b82b510Aquí otro al que warp no le ha echado el ojo todavía
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Laurel Halo – Behind the Green Door EP (Hyperdub / 2013)
http://uploaded.net/file/p7bzachy -
µ-Ziq – Xtep
http://uploaded.net/file/lyoyjwms -
bueno, que alguien se curre una croniquilla del LEV, no? que sé que hay bastantes foreros que estuvieron por allí..
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Minicrónica Viernes:
Tim Hecker: a pelo, a oscuras, nada que distrajera de la que nos metió pal cuerpo. El sonido te hacía vibrar hasta las gónadas. SU-BLI-ME
Oneotrix: para emular en su propia casa el despropósito de este panojas pueden ustedes descargar el zoolook de jean michel jarre y plancharlo en un cd para luego rayarlo intencionadamente antes de reproducirlo y a la vez poner en sus televisores el cortador de cesped en tonos pastel. MENUDO CAGARRO
Roly Porter + MFO: los triunfadores absolutos de la jornada. Si Tim Hecker ha demostrado que a intensidad y emotividad no le gana nadie, Roly Porter se muestra como el alumno aventajado de la clase y deja patente que técnicamente está 15 pasos por delante del maestro y de quién se le ponga por delante. De MFO es difícil hablar, las proyecciones de este set se centraron en imagenes tomadas en un bosque con una calidad digna de un film de Malick y una técnica tan cercana a lo sublime que pasaba desapercibida.
Raime: Otros que tal bailan. Una propuesta audiovisual compacta, elegante y técnicamente muy bien planteada. Emotividad a espuertas.
Pole: bastante peor que en el semibreve, aún así bastante bien. Las proyecciones fueron bastante curiosas (dos chicas a cada lado de una pantalla, la primera con una cámara, la segunda con una linterna y móviles hechos con papel que giraban sobre un eje) pero el resultado final era un pelín chapucero.
Andy Stott: bien, la gente pedía bombo a gritos y el colega supo combinar profundidad, elegancia y malababa. Pasado de graves igual que Pole, no fue muy consciente de que fuera de los 5 primeros metros junto al bafle sólo había un pelotón de subs.
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Alguien tiene un link alternativo para el del amigo µ-Ziq ?
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